it's okay to stop and JUST BE ~ an experimental short film (2023)

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In crafting "it's okay to stop and JUST BE," I (Arin Paul) aimed to create an immersive experience that transcends the boundaries of conventional storytelling. Inspired by the delicate interplay of motion and stillness in our daily lives, this experimental short film invites the audience to embrace the beauty found in the moments between the hustle and bustle.

The film is a testament to the power of visuals and music, allowing them to convey a narrative that goes beyond words. Through a minimalistic approach of carefully curated shots, each frame becomes a canvas for contemplation, encouraging viewers to find solace in the simplicity of 'just being.'

As a filmmaker, I believe in the potency of storytelling that extends beyond dialogue and plot. "it's okay to stop and JUST BE" is a celebration of the unsaid, the unseen, and the often-overlooked beauty in our surroundings. It is my hope that this cinematic journey provides a pause for reflection and a space to appreciate the profound poetry embedded in the everyday.

Museum Of Bollywood Posters (at Jio World Drive, Mumbai)

 

Recently, I found myself engrossed in the enchanting world of Hindi cinema at the 'Museum Of Bollywood Posters,' nestled in the heart of Jio World Drive, Mumbai. A treasure trove of splendid Hindi film posters, lobby cards, booklets, and more, each piece a hand-painted masterpiece with a story to tell.

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As I gazed upon these artistic marvels, I couldn't help but feel transported to the era they represented. These posters weren't mere artwork; they were portals to bygone times, where passionate artists breathed life onto canvases, shaping the visual identity of India's cinematic giants. Each frame frozen in time was a lesson in composition, colour, and the art of captivating audiences with a single glance.

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This museum stands as a celebration of creativity, storytelling, and the pure magic that only cinema can create. Every exhibit echoes the richness of Cinema’s history, reminding us of the timeless allure of the silver screen.

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'The Artbeat of New India' Museum at Chhatrapati Shivaji Maharaj International Airport (Mumbai International Airport) Departure (T2)

A glimpse of India's rich cultural heritage at Chhatrapati Shivaji Maharaj International Airport (Mumbai International Airport) Departure (T2) - This intricately crafted traditional wooden door, part of the 'Faces and Facias' section within 'The Artbeat of New India' Museum, was once known as the 'India Greets' section of the 'Jaya He, GVK Museum.' It is home to India's largest public art program, featuring over 7000 pieces of artwork and artifacts from every corner of the country, illuminated by skylights. This remarkable corporate initiative safeguards a treasure trove of India's culture. 'The Artbeat of New India' Museum showcases over 5500 artifacts, works of 100 artists, and contributions from 1000 artisans. It's a fusion of contemporary and traditional arts and crafts, encapsulating India's glory through permanent exhibits, including artifacts, paintings, sculptures, and textiles. It's a rich amalgamation of India's culture, history, heritage, art, craft, and tradition, all under one roof.  

Savoring Aurangabad's Culinary Heritage: The Delicious Naan Khaliya

I recently had the pleasure of savoring a delightful and historical dish called Naan Khaliya (also called Qalia) in the heart of Aurangabad, Maharashtra. Imagine a fusion of tender meat and a burst of aromatic spices – that's what Naan Khaliya is all about.

This dish has a rich history. When Mohammad Bin Tughlaq moved his capital from Delhi to Daulatabad in 1327 A.D., people migrated in masses, and feeding the large army was no small feat. Royal cooks stepped up, firing up hot furnaces to bake naan, while simultaneously slow-cooking the flavorful Khaliya. It quickly became a favorite of soldiers, known as 'siphaaiyon ka khana' or 'fauji ka khana,' and it still shines at weddings and special occasions in Aurangabad.

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The magic starts with fluffy naan, baked to perfection in clay ovens and brushed with a mix of turmeric and jaggery water for that inviting golden hue. Then there's the Qalia – a soul-warming, soupy curry with a symphony of ingredients. In Aurangabad, it's creamy with yogurt, while in Khuldabad, a tangy lemony twist rules. All of this deliciousness happens in a large cauldron called a 'degh,' topped with a layer of flavorful oil known as 'tari.'

But what makes it truly special is the way you savor it. Picture tearing a piece of Naan and dipping it into the aromatic gravy. The result? An explosion of flavors as the bread soaks in all the goodness.

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And this culinary adventure doesn't end there. The legacy of Khaliya spread far and wide, leading to regional variations that are legendary. In the courts of the Nawabs, it transformed into the opulent 'Kundan Qalia' with saffron and luxurious dry fruits. In Awadh, 'Chaman Kaliya' took shape, a vegetarian version with paneer and a mix of spices. Hyderabad brought 'Mahi Qalia,' marrying coconut, peanuts, and regional ingredients for a Deccan delight. And in Bengal, 'Bengali Macher Kaliya' emerged, a fish-based twist that defined the region's culinary landscape.

And to top it all off, it's a visual and culinary feast, a masterpiece! 🍽️📸📹

Echoes of History: The Toong On Church of Kolkata

Echoes of History: The Toong On Church of Kolkata.

 

Once upon a time, in the heart of Kolkata's bustling Tiretta Bazar, there stood a place that held within its walls the echoes of history, culture, and spirituality. This place was none other than the Toong On Church, a Taoist temple dedicated to the revered God of War, Kuan Ti (The Chinese God of War is also known as Guan Yu, Guan Gong, and Wudi).

 

The tale of this extraordinary temple began in the year 1924, when the vibrant Chinese community of Kolkata came together to create something truly special. Little did they know that they were giving life to one of the oldest Chinese temples in all of India. As the years passed, this temple became a living testament to the enduring spirit of the Chinese diaspora in Kolkata.

 

With its striking red brick facade, the Toong On Church stood tall as a masterpiece of architecture, seamlessly blending Chinese and European influences. It was a place where the past intertwined with the present, where traditions met modernity.

 

I had the privilege of visiting this remarkable place back in 2013. As I walked through its hallowed halls, I couldn't help but feel the weight of history and the serenity of the present. It was a place where cultures converged, and hearts found peace.

 

But there was more to this place than met the eye. In days gone by, the ground floor of this historic building was home to Nanking, a restaurant that would make history as Kolkata's very first Chinese restaurant. Yet, like the ebb and flow of time, the restaurant's chapter came to a close in the 1970s. However, the story didn't end there.

 

Nanking, the restaurant that once graced the ground floor, was more than just a culinary gem. It was a place where stars like Raj Kapoor, Nargis, Dilip Kumar, Sunil Dutt, and others gathered. From the balcony on the first floor, these matinee idols would graciously wave to the crowds that gathered on the streets below, seeking a glimpse of their beloved stars.

 

The first floor of the building held a secret, a sanctuary of spirituality. It was here that devotees gathered to pay homage to Kwan Ti, finding solace and reflection in the temple's peaceful embrace. The Toong On Church was not just a place of worship; it was a place where cultures converged, and hearts found peace.

 

The Toong On Church stands as a symbol of Kolkata's rich cultural heritage, a testament to the city's tradition of embracing diverse communities and their contributions. Its two-story structure, once a restaurant and now a temple, is a nod to the past and a beacon of the present.

 

So, as you navigate the vibrant streets of Kolkata, remember to step into the Toong On Church. It's not just a place; it's a living story, a fusion of cultures, a passage through time. While Nanking Restaurant may have faded into history, the Toong On Church remains a cherished treasure, reminding us of Kolkata's captivating tapestry and the enduring spirit of its Chinese community.

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Exploring the Role of Explicit Language in Storytelling: A Dialogue

 Recently, I've engaged in a conversation with a few people about the use of explicit language in storytelling. It all began with a recent web series, sparking intriguing thoughts about storytelling in the world of cinema. What I believe is that, although it can be unsettling, some storytellers choose to use strong language to create a raw and authentic portrayal of certain environments and characters. This can effectively convey the intensity and reality of the situations depicted.

However, viewers have varying sensitivities, and what may be essential for one person's immersion in the story might be uncomfortable for another. Striking a balance between authenticity and audience comfort is a challenge that storytellers often face. The use of explicit language is a creative choice made to enhance the storytelling experience and may not resonate with everyone.

At times, stories may employ strong language to depict certain characters. While their primary intention may be to convey the intensity and environment of the situations portrayed, they also serve as a reminder of the need for positive change and empathy toward all members of our society. It's essential to approach such narratives with an open mind and a willingness to engage in constructive conversations about the issues they portray.

Equally crucial is the provision of content warnings and classifications, as in this case, where it was mentioned as suitable for 18+ audiences. This helps viewers make informed choices about what they watch and ensures that families can make decisions aligned with their values and comfort levels.

Now, I'm curious to hear your take on this. What's your opinion about the use of explicit language in storytelling? Are you in favor of it, recognizing its role in creating authenticity, or do you share concerns about its impact on the audience? Share your thoughts!

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Jean-Luc Godard (December 3, 1930 – September 13, 2022): A Personal Note.

 Jean-Luc Godard (December 3, 1930 – September 13, 2022): A Personal Note.

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I have grown up watching Jean-Luc Godard's films, and that inspiration has shaped my perspective profoundly. With every frame, he challenged the conventions of cinema, rewriting the language of storytelling. His films weren't mere narratives; they were bold statements, poetic expressions of the human condition. His work was a vivid reflection of his times, a canvas onto which he painted the complexities of society, love, and human existence. His pioneering spirit, his audacity to break free from traditional norms, left an indelible mark on cinema. He was the voice of the avant-garde, an artist who fearlessly pushed boundaries and made us question the very essence of art. Godard's legacy lives on in every filmmaker he inspired, in every viewer whose perspective he expanded, and in every frame that challenged us to see the world differently. Godard's legacy will forever remind us that cinema is more than entertainment; it's a powerful medium for introspection and change. Thank you for the art, the revolution, and the indomitable spirit. Your influence will continue to shape the world of cinema for generations to come.

#JeanLucGodard #Legend #FilmIsLife #Tribute

Lokkhir – Pencha (the Owl of Goddess Lakshmi)

Last year, during my visit to Kolkata, I had the wonderful opportunity to explore the Arts and Crafts Mela. At this event, talented artisans from all over Bengal showcased their beautiful creations, including various wooden owlets, which are a special type of wooden owl that holds great significance in the ancient artistic tradition of Bengal. These owlets have a history that dates back about 250 years and are considered to bring good luck. As a result, Bengali households, both in rural and urban areas, cherish and keep them. 

Legend has it that these wooden owlets were worshipped by many families in Bengal to seek blessings from the goddess of wealth, Laxmi. One of the popular stories tells about a mother and child who were guided by the owlets to offer their devotion to Goddess Laxmi. Despite their poverty and meagre meals, the little boy never hesitated to share his food with the birds. This act of kindness later brought him good fortune. In addition to Lokkhir - Pencha, there are other famous dolls, such as Gour-Nitai, Krishna dolls, and Royal couple dolls. These dolls trace their origins to Natungram, a small village in the Bardhaman district of West Bengal. 

Collecting these wooden owlets and dolls has become a beloved tradition for many, and they are treasured not only for their artistic beauty but also for the positive symbolism they represent in the homes of the Bengali people.